According to Jonathan Batkin, Kewa Pueblo (formerly known as Santo Domingo) was one of the few pueblos that maintained high standards of quality in pottery in the early 20th century. (Pottery of the Pueblos of New Mexico 1700-1940 [Taylor Museum of the Colorado Springs Fine Arts Center, Colorado Springs; 1987; page 99]). Certainly Felipita and Asuncion Aguilar were central to the production of quality pottery at that time.

Pottery by the Aguilar sisters (also known as Felipita Aguilar Garcia and Asuncion Aguilar Cate' and their sister-in-law, Mrs. Ramos Aguilar) is renowned for its elegance and beauty. Beginning about 1910, they continued the Santo Domingo tradition of painting geometric design elements onto the jar form but with encouragement from the trader Julius Sligman in Bernalillo, they began tweaking the traditional designs in order in order to revive trade to tourists.  They modified the shape of the jars to one that is more graceful, one that has a smooth curve from the body to the neck which flares out as it approaches the rim. Designs such as in this pot are classic and yet more elegant that those made by others. Their pottery transcends the traditional form, with many pots emerging as true artistic works.

These efforts seem to have lasted until about 1915. Their pots are highly desirable in today's market.

This pot clearly exemplifies the positive and negative impact on design. The central bold design is flanked by the traditional cream field, allowing the design and the form to define the jar.

Condition is excellent.

ex: Dick Howard, Private Collection

(mc2166)